Much of the art and the artists creating Chicano Art were heavily influenced
American texas intergenerational dating definitions of art styles Chicano Movement El Movimiento which began in the s. Chicano art was influenced by post- Mexican Revolution ideologies, pre-Columbian art, European painting techniques and Mexican-American social, political and cultural issues. Some issues the movement focused on were awareness of collective history and culture, restoration of land grants, and equal opportunity for social mobility.
Throughout the movement and beyond, Chicanos have used art to express their cultural values, as protest or for aesthetic value. The art has evolved over time to not only illustrate current struggles and social issues, but also to continue to inform Chicano youth and unify around their culture and histories.
Chicano art is not just Mexican-American artwork: Beginning in the early s, El Movimiento, was a sociopolitical movement by Mexican-Americans organizing into a unified voice American texas intergenerational dating definitions of art styles create change for their people.
El Movimiento was focused on a fight for civil and political rights of its people, and sought to bring attention to their struggles for equality across southwest America and expand throughout the United States.
El Movimiento included all Mexican-Americans of all ages, which provided for a minority civil rights movement that would not only represent generational concerns, but sought to use symbols that embodied their past and ongoing struggles.
Young artists formed collectives, like Asco in Los Angeles during the s, which was made up of students who were just out of high school. The Chicano movement was based around the community, an effort to unify the group and keep their community central to social progression, so they too could follow in the foot steps of others and achieve equality. From the beginning Chicanos have struggled to affirm their place in American society through their fight for communal land grants given to them by the Mexican government were not being honored by the U.
The union then brought in thousands more lettuce and vegetable workers in the Salinas Chicano Movement art developed out of necessity for a visual representation of the sociopolitical injustice that the movement was seeking out to change.
As in any movement there is a need for signage that brings awareness to the issues at hand, starting with murals. Murals represented the main form of activism in Mexico prior to the Chicano Movement taking place in the United States. Many of the images and symbols embodied in these classic Mexican murals were later adopted by the Chicano Movement to reaffirm and unify their collective under a specific light of activism.
Chicano art in its activist endeavors has become a form of popular education, of the people and by the people, in its ability to create a dialogue about these issues while empowering Chicanos to construct their own solutions. Geography, immigration and displacement are a common themes in Chicano art. Another common theme is the labor exploitation in agricultural, domestic work, and service industry jobs, particularly of the undocumented.
For many years, American texas intergenerational dating definitions of art styles Logan Heights petitioned for a park to be built in their community, but were ignored. American texas intergenerational dating definitions of art styles park was occupied for twelve days, during which people worked the land, planting flowers and trees and artists, like Victor Ochoahelped paint murals on the concrete walls. The imagery of the murals articulated their cultural and historical identities through their connections to their indigenous Aztec heritage, religious icons, revolutionary leaders, and current life in the barrios and the fields.
Some iconography included QuetzalcoatlEmiliano ZapataCoatlicue Aztec Goddess of Earthundocumented workers, La Virgen de Guadalupecommunity members occupying the park, and low-riders. Murals created by Chicano artists reclaim public spaces, encourage community participation, and aid in neighborhood development and beautification. Its significance lies in its accessibility and inclusivity, painted in public spaces as a form of cultural affirmation and popular education of alternative histories and structural inequalities.
Cultural art centers are another example of community-based Chicano art, developed during the Chicano Movement out of need for alternative structures that support artistic creation, bring the community together, and disseminate information and education about Chicano art.
These centers are a valuable tool that encourages community gatherings as a way to share culture, but also to meet, organize and dialogue about happenings in the local Chicano community and society as a whole.
These spaces provided Chicanos with an opportunity to reclaim control over how their culture and history is portrayed and interpreted by society as a whole.
The center also maintained efforts to support the local community by allowing artists to exhibit their own prints and sell them to support themselves financially. Other community-based efforts include projects for youth, such as the Diamond Neighborhood murals where Victor Ochoa and Roque Barros helped teach youth to paint in an area that had once been overwhelmed with
American texas intergenerational dating definitions of art styles. About teenagers attended daily art classes taught by Ochoa and graffiti declined significantly.
Chicano art affirms their cultural through religious iconography and key elements of their Mexican, U. For example, la Virgen de Guadalupeof whom is an important figure in Mexican culture, is used in a socio-political context by Chicano artists as a symbol of both hope in times of suffering, and American texas intergenerational dating definitions of art styles, particularly when embodying an average woman or portrayed in an act of resistance.
Mexican and indigenous culture is celebrated through the practices of their ancestors shrines, dance, murals, etc. As new generations come to pass, art plays a role in educating Chicano youth about essential histories, traditions and values of their identity. One of the most celebrated holidays in Mexican culture is the Day of the Dead.
The holiday focuses on gatherings of family and friends to pray for and remember family and friends who have died. Traditions connected with the holiday include the building of private altars honoring the deceased using sugar skulls or marigolds and visiting the deceased with gifts of their favorite foods or beverages.
Mesoamericaa region extending south and east from central Mexico to include parts of Guatemala, Belize, Honduras, and Nicaragua, is a common theme in Chicano art, expressing their shared, yet diverse culture and identity. Going back to pre-Columbian times, Mesoamericans were inhabited by highly advanced civilizations, with their own political organization, agriculture system, mythology, writing systems, and calendars. From these roots, the emergence of radiant Chicano art were traced. Indigenous heritage of Chicanos helps suffice why some activists during the Chicano Movement and beyond portrayed Mesoamerican and Aztlan imagery in their art.
Southwest to Mexico, is common theme in Chicano art as an expression of cultural nationalism. Demands from Chicanos for equality and social justice have roots in this long history of loss and displacement.
Furthermore, Aztlan and the reclamation of their indigenous roots has become a symbol for belonging for many Chicanos, in a nation that often discriminates, demonizes and criminalizes Mexican-Americans and Latinos as a whole. Another expression of Chicano identity through their art is their depictions of life in the barrio - Spanish-speaking, Latino neighborhoods in a city or town.
Often the barrios, as ethnic enclaves, have long histories of dislocation, marginalization, poverty, and inequity in access social services. However, it was in these barrios that the most interesting forms of art were made by the Chicano community, particularly lowrider cars and bicycles, and graffiti.
Many lowriders have their suspension systems modified with hydraulic suspension so that the car can change height at the flip of a switch. The goal was American texas intergenerational dating definitions of art styles cruise as slowly as possible so that people could see what types of customizations were done to your car.
Expensive custom paint jobs are also common such as metal oxide flake or pearl flake, clear coat, metal leaf, airbrushed murals or script, pinstripes, and flames.
Since the early s, lowriders have become common in urban youth culture in general, primarily in West Coast hip hop. Chicano art even embraced the vandalistic expressions of graffiti. Art in the barrio also incorporates graffiti as a form of artistic expression, often associated with subcultures that rebel against authority. Graffiti has origins in the beginnings of hip hop culture in the s in New York City, alongside rhyming, b-boying, and beats.
It was used to publicly display their artistic expressions with their social and political opinions in response to their lack of access to museums and art institutions, and the continuous strife, discrimination, and struggle of living in the city. Because graffiti is illegal in most cases, this form of art has flourished in the underground, requiring little money and providing an opportunity to voice what is often excluded from dominant histories and media. From here, although graffiti remains the major form of street art, other mediums have evolved - including stenciling, stickers, and wheatpasting.
Within Chicano barrios, gangs use their own form of graffiti or tagging to mark territory or to serve as an indicator of gang-related activities.
Imagery of gang-related graffiti often consists of cryptic symbols and with unique calligraphy styles.
On the other hand, Chicano artists also use graffiti as a tool, to express their political opinions, indigenous heritage, cultural and religious imagery, and
American texas intergenerational dating definitions of art styles to dominant portrayals of Chicano life in the barrios. Similar to other forms of art within the Chicano Movement silk-screen printing, murals, etc.
Graffiti is American texas intergenerational dating definitions of art styles commonly recognized as a form of public art, embraced by museums, art critics, and art institutions. But its significance for many Chicanos remains in the barrios, reiterating the importance of accessibility and inclusion in relation to their identity and community in their artwork.
In times of conflict, such murals have offered public modes communication and self-expression for members of these socially, ethnically and racially marginalized communities, and have become effective tools in facilitating dialogue, challenging injustices and stereotypes that impact their neighborhoods and peoples, and in the end, elevating their community.
Rasquachismo is very much a part of Chicano art. It involves doing more with less, and is a reflection of the socioeconomic and political situation that many Chicanos grew up with. It is an affirmation of the complex identity and vitality of the Chicano People.
Chicano art arises from and is shaped by our experiences in the Americas. True enough, some of it does reflect the socio-political struggle of Chicanos, but that is not exclusively what it deals with or is about.
It is not the artistic arm of any particular political ideology. It is the art of a people, of Chicanos as a cultural entity. From Wikipedia, the free encyclopedia. University of Texas Press. Retrieved 9 April Journal of Popular Culture. Retrieved 8 April Archives of American Art. The road to Aztlan: Los Angeles County Museum of Art.
Nature and Memory in Contemporary Latino Art. Chicana and Chicano art: University of Arizona Press. Centro Cultural de la American texas intergenerational dating definitions of art styles. A Dozen Tags for March, ".
Retrieved 11 April Handbook of Texas Online. Texas State Historical Association. Retrieved 2 April Retrieved 15 December Chicano Art, Resistance and Affirmation, Retrieved from " https: Chicano American art movements.
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